The New York Times: ‘Two Seasons, Two Strangers’ Review: Possibilities of a Blank Page *Critic’s Pick*
Reverse Shot: A Quiet Place: An Interview with Sho Miyake
Slant Magazine: ‘Two Seasons, Two Strangers’ Review: A Sublime Dyptych
RogerEbert.com: Two Seasons, Two Straners review: Sho Miyake at his best
In Review Online: I’m Interested In the Discomfort: Sho Miyake on Two Seasons, Two Strangers
Screen Anarchy: TWO SEASONS, TWO STRANGERS Review: Signaling the Emergence of a New Japanese Talent
The Film Stage: “My Best Ideas Come To Me On Walks”: Sho Miyake on Two Seasons, Two Strangers
In Review Online: Two Seasons, Two Strangers — Sho Miyake [Review]
The Knockturnal: ‘Two Seasons, Two Strangers’ – Seasonal Cinema at ND/NF
Indiewire: ‘Two Seasons, Two Strangers’ Review: Sho Miyake Is One of Japan’s Most Perceptive Modern Filmmakers
The Film Stage: 15 Films to See in April
Indiewire: ‘Two Seasons, Two Strangers’ Trailer: Sho Miyake’s Locarno Golden Leopard Winner Is His First Film to Be Properly Released in the U.S.
Screen Slate: Revelations of Divine Love
Filmmaker Magazine: Magic Mirror: Guy Maddin Interviews Caroline Golum on Revelations of Divine Love
The Film Stage: Revelations of Divine Love Review: A Charmingly Evocative Medieval Tale with Modern Resonance
The New York Times: How Do You Make a Medieval Film on a Shoestring Budget?
The Playlist: ‘Revelations Of Divine Love’: Director Caroline Golum On Hazelnuts, Hot Jesus, And How To Make a Micro-Budget Period Piece
Film Inquiry: REVELATIONS OF DIVINE LOVE: The Testament of Julian of Norwich
Film International: Now a Believer: Caroline Golum’s Revelations of Divine Love
Moviejawn: REVELATIONS OF DIVINE LOVE is a mesmerizing biopic like no other
In Review Online: Revelations of Divine Love — Caroline Golum [Review]
Hell Gate: How to Shoot a Medieval Film in NYC on a Shoestring Budget
The Film Stage: Revelations of Divine Love Trailer: Caroline Golum’s Acclaimed Medieval Tale Arrives This March
Filmmaker Magazine: Caroline Golum’s Revelations of Divine Love Finds a North American Distributor in Several Futures
The Baffler: Ideology Ruled Her Camera by Nihal El Aasar
Criterion: The Criterion Channel’s May 2025 Lineup,
Including Two Films by Heiny Srour
Chicago Reader: Leila and the Wolves Review
TruthDig: The Lonely Feminist by Bedatri D. Choudhury
Filmmaker Magazine: “Raise Your Head, We are Making an Honorable Film”: Heiny Srour on the Restored Leila and the Wolves and The Hour of Liberation Has Arrived by A.E. Hunt
Criterion Daily: Heiny Srour’s Feminist Rebels
Reverse Shot: The Unchosen: An Interview with Heiny Srour (Leila and the Wolves)
Film Comment: Country Living
Screen Slate: Go, Toto!
Screen Slate: 7 Walks with Mark Brown
Gay City News: At BAM, ‘7 Walks With Mark Brown’ and a Pierre Creton retrospective explore gay life in rural France
The Film Stage: Posterized June 2025: Afternoons of Solitude, 7 Walks with Mark Brown, Dangerous Animals & More
The Film Stage: 10 Films to See in June
The Film Stage: Exclusive Trailer for 7 Walks with Mark Brown Takes a Tender Look at Normandy’s Flora
Variety: New York Film Festival Title ‘7 Walks With Mark Brown’ Finds U.S. Distribution With Several Futures
RogerEbert.com: NYFF 2024
Hyperallergic: Nigeria’s Youth Fight for a Better Future
Film Comment: Coconut Head Generation
Lucky Star: Axelle Ropert
Criterion: Announcing February 2025 Line Up for the Criterion Channel, Including The films of Axelle Ropert
The New York Times: Petite Solange *Critic’s Pick*
The New Yorker: Petite Solange
The New Yorker: Miss and the Doctors
4Columns: Axelle Ropert
Screen Slate: Between Tenderness and Brutality: An Interview with Axelle Ropert